Lesson 9: I See Nothing As It Is Now
A Course in Miracles Workbook Lesson 9 — "I see nothing as it is now." This lesson tells you, in writing, that you don't have to understand it — and for Marcus, an engineer who has spent his whole life earning the right to an opinion, that's the hardest sentence the Workbook has produced so far. He remembers an older technician who refused to explain a procedure for six months. Sarah admits the lesson is easy for her in a way she isn't sure she's earned. Today's practice is three or four periods, eyes open, excluding nothing.
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Chapter 1
Imported Transcript
Sarah
Welcome to The Daily Lesson — a podcast powered by AI and grounded in the teachings and original text of A Course in Miracles. I'm Sarah, and I'm here with Marcus, and this is Lesson 9: I See Nothing As It Is Now.
Marcus
Present. Slightly wary, given how the last two went.
Sarah
(laughs) Then brace yourself, because this one says something out loud that the Workbook has only been implying. Let's read the complete, uninterrupted, verbatim text of Workbook Lesson 9. "Lesson 9. I see nothing as it is now." "This idea obviously follows from the two preceding ones. But while you may be able to accept it intellectually, it is unlikely that it will mean anything to you as yet. However, understanding is not necessary at this point. In fact, the recognition that you do not understand is a prerequisite for undoing your false ideas. These exercises are concerned with practice, not with understanding. You do not need to practice what you really understand. It would indeed be circular to aim at understanding, and assume that you have it already." "It is difficult for the untrained mind to believe that what seems to be pictured before it is not there. This idea can be quite disturbing, and may meet with active resistance in any number of forms. Yet that does not preclude applying it. No more than that is required for these or any other exercises. Each little step will clear a little of the darkness away, and understanding will finally come to lighten every corner of the mind which has been cleared of the debris which darkens it." "These exercises, for which three or four practice periods are sufficient, involve looking about you and applying the idea for the day to whatever you see, remembering the need for its indiscriminate application, and the essential rule of excluding nothing. It is emphasized again that while complete inclusion should not be attempted, specific exclusion must be avoided. Be sure you are honest with yourself in making this distinction. You may be tempted to obscure it." —...
Marcus
(a short laugh) Well. It's talking to me, isn't it.
Sarah
Which line?
Marcus
"These exercises are concerned with practice, not with understanding." And then it goes further and closes the door behind itself — "You do not need to practice what you really understand." So the fact that I don't get it is the reason to do it. That's the argument. —...
Sarah
How does that sit?
Marcus
Badly, and I want to be precise about why, because it isn't stubbornness. I've spent thirty years in a field where you earn the right to an opinion. You don't get to say a bridge holds. You show your work, someone checks it, and then you get to say it. That's not arrogance, that's the job. And this is asking me to say a sentence I can't show any work for.
Sarah
Right, and notice the Course isn't asking you to say it's true.
Marcus
It isn't?
Sarah
Read it again — it says you may not be able to accept it, that it may meet with active resistance in any number of forms, and then: "Yet that does not preclude applying it." It's decoupling the two. You can think the idea is nonsense and still look at your bookshelf and say the words. Your disbelief isn't a disqualification. It's just weather.
Marcus
Hm. That's a smaller ask than I heard the first time. —...
Sarah
Carol Howe wrote something about this that I keep coming back to. In her recollections of Bill Thetford, she says: "Notice there's not a word about carefully learning anything, only daily practicing in the face of one's disbelief."
Marcus
So I practice while it still feels like nonsense. Not once it stops.
Sarah
And notice what she's pointing at — nowhere in these instructions are you asked to learn anything carefully. You're asked to show up.
Marcus
All right, that helps, and it also reminds me of something I've been trying not to think about since you started reading. First job out of school, I did eight months in a calibration lab. There was a technician there named Ruth who'd been doing it for about a hundred years, and she told me that before I took a reading off a particular instrument, I had to let it sit powered on for forty minutes. Not thirty. Forty.
Sarah
And you asked why.
Marcus
Of course I asked why. I asked why with some persistence. And she said, "I'll explain it to you in six months."
Sarah
(laughs) She did not.
Marcus
She did. And I was insulted, honestly. So one afternoon I was behind, and I took the reading at fifteen minutes, and the number that came out looked completely reasonable. Reasonable, plausible, and wrong. It cost a week.
Sarah
And six months later?
Marcus
Six months later I understood thermal drift well enough to derive it myself, and the explanation took her about ninety seconds. The understanding was never the hard part. The hard part was the six months of doing it without one.
Sarah
Ruth gave you Lesson 9 when you were twenty-four and you've been carrying it around ever since.
Marcus
I'd have preferred to bring it in as a win rather than a diagnosis. —...
Sarah
Can I say something on my side of this?
Marcus
Please.
Sarah
This lesson is easy for me, and I don't entirely trust that. I've never had trouble accepting something before I could explain it — I grew up with experiences I had no framework for at all, so accepting-without-understanding is close to my native language. Which sounds like an advantage.
Marcus
From where I'm sitting it looks like one.
Sarah
My version of the failure is different. I can hear a teaching, agree with it completely, feel moved by it, and then not practice it for a decade. You resist the idea and then do the work. I accept the idea instantly and skip the work. The lesson says these exercises are concerned with practice — that's aimed at me every bit as much as it's aimed at you. I just find it easier to sound like I'm passing.
Marcus
That's a more useful thing to hear than reassurance, so thank you. And I'll say plainly: this one is harder for me than it is for you, and I don't think that gap closes today. —...
Sarah
It doesn't have to. Should we look at what it actually asks?
Marcus
Go on.
Sarah
Three or four practice periods. And here's something I want to flag — the lesson doesn't restate how long each one runs.
Marcus
It just says three or four are sufficient.
Sarah
That's all it says. The minute or so we've been using since Lesson 1 carries forward. Notice the instructions are starting to lean on what we've already built rather than spelling everything out again.
Marcus
Eyes open, I assume, since we're looking about us.
Sarah
Eyes open, looking around you, applying the idea to whatever you see. "I see nothing as it is now." And then the part that takes the most honesty. Two rules that sound similar and are not. Complete inclusion should not be attempted — you're not trying to name every object in the room. And specific exclusion must be avoided — you don't get to skip something.
Marcus
So I can miss things. I just can't dodge things.
Sarah
That's it exactly, and the lesson knows how slippery that is. It says: "Be sure you are honest with yourself in making this distinction. You may be tempted to obscure it."
Marcus
Because "I didn't get to it" and "I avoided it" look identical from the outside.
Sarah
And nearly identical from the inside, which is the harder problem. So if your eye slides past something — a letter you haven't opened, a photograph, whatever it is for you — you don't have to make a project of it. You just don't get to pretend you didn't slide.
Marcus
Right. I can work with that. Not understand it. Work with it.
Sarah
For everyone listening — three or four times today, a minute or so each, eyes open. Look around wherever you are and say it about whatever your eye lands on. I see nothing as it is now. Don't try to cover the whole room, and don't skip the one thing you'd rather skip. If it feels like nonsense while you're saying it, say it anyway — the lesson has already accounted for that. We'll be back tomorrow with Lesson 10.
Marcus
Thanks, Sarah, Now I'll go practice something I don't understand. See you tomorrow!